A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 114
... important aesthetic objects , it will be our duty and our pleasure to discuss some problems of the aesthetic objects which really matter , the problems , i.e. , which arise out of consideration of works of art . In the work of art there ...
... important aesthetic objects , it will be our duty and our pleasure to discuss some problems of the aesthetic objects which really matter , the problems , i.e. , which arise out of consideration of works of art . In the work of art there ...
Pagina 277
... important for the theme of the drama . The ' subject ' of great drama is , normally , a section of real life , and what is important for the theme of the drama is ( drama being thus , as is said , ' representative ' of life ) ...
... important for the theme of the drama . The ' subject ' of great drama is , normally , a section of real life , and what is important for the theme of the drama is ( drama being thus , as is said , ' representative ' of life ) ...
Pagina 396
... importance , though in an art like violin- or piano - playing touch may be an important instrument . Indirectly , on the other hand , touch does , of course , play a very important part in art - appre- ciation . The significance of ...
... importance , though in an art like violin- or piano - playing touch may be an important instrument . Indirectly , on the other hand , touch does , of course , play a very important part in art - appre- ciation . The significance of ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words