A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 13
... interest in an end , produces an intensity of interest in the means to the end , so that when intellectual or other differences about means arise , they are apt to swamp all sense of common interest in the common object or good . We ...
... interest in an end , produces an intensity of interest in the means to the end , so that when intellectual or other differences about means arise , they are apt to swamp all sense of common interest in the common object or good . We ...
Pagina 231
... interest by the artist . It may be that the painter always saw the landscape which he subsequently paints , with his ... interest an artist aesthetically , and which , during the time it is interesting to him , or when it has interested ...
... interest by the artist . It may be that the painter always saw the landscape which he subsequently paints , with his ... interest an artist aesthetically , and which , during the time it is interesting to him , or when it has interested ...
Pagina 322
... interest is psychological , or it may be that it is plastic ( in my own case it was the latter ) . But in a full ... interest and plastic interest . There is just the plastic - psychological expressiveness of the forms of the dignified ...
... interest is psychological , or it may be that it is plastic ( in my own case it was the latter ) . But in a full ... interest and plastic interest . There is just the plastic - psychological expressiveness of the forms of the dignified ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words