A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 231
... matter , properly speaking.1 But it is extremely likely that often there is such primary subject - matter . And the fact that many things and events which do seem to have no aesthetic significance at the time are possible ' subjects ...
... matter , properly speaking.1 But it is extremely likely that often there is such primary subject - matter . And the fact that many things and events which do seem to have no aesthetic significance at the time are possible ' subjects ...
Pagina 232
... matter was necessarily non- existent , though it may have been . Primary subject - matter is called ' subject ' - matter , we said , because it does awaken aesthetic interest , and is afterwards ' represented ' , though it is defined as ...
... matter was necessarily non- existent , though it may have been . Primary subject - matter is called ' subject ' - matter , we said , because it does awaken aesthetic interest , and is afterwards ' represented ' , though it is defined as ...
Pagina 233
... matter is simply the content side of the work of art . It is subject - matter imaginatively experienced in the work of art , still dis- tinguishable but now inseparable from its ' body ' . Secondary and tertiary subject - matter mark ...
... matter is simply the content side of the work of art . It is subject - matter imaginatively experienced in the work of art , still dis- tinguishable but now inseparable from its ' body ' . Secondary and tertiary subject - matter mark ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words