A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 210
... meanings , and their breakdowns of meaning , from which they cannot escape - our perceptual systems and associations being what they are . And to find some of the works of Miss Wilcox or Mr. Marcus Stone or Mr. Ethelbert Nevin or Mr ...
... meanings , and their breakdowns of meaning , from which they cannot escape - our perceptual systems and associations being what they are . And to find some of the works of Miss Wilcox or Mr. Marcus Stone or Mr. Ethelbert Nevin or Mr ...
Pagina 214
... meaning of every part is determined in relation to the rest . And it follows that for one race , generation , and culture the aesthetic meanings of the parts must be relatively , and in spite of variations of interpretation , more fixed ...
... meaning of every part is determined in relation to the rest . And it follows that for one race , generation , and culture the aesthetic meanings of the parts must be relatively , and in spite of variations of interpretation , more fixed ...
Pagina 265
... meaning , the ' body ' being the words , and the meaning being , indi- vidually , the referrents , and , as a whole , the propositum . Whereas , however , in the proposition the body is merely symbolic , in the sense of pointing to a ...
... meaning , the ' body ' being the words , and the meaning being , indi- vidually , the referrents , and , as a whole , the propositum . Whereas , however , in the proposition the body is merely symbolic , in the sense of pointing to a ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words