A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 285
... morals , as there is some connection between literature and morals . Or at least this is the supposition . But we ought to begin , perhaps , by putting the general question . It is , Have moral values anything to do with art as such ...
... morals , as there is some connection between literature and morals . Or at least this is the supposition . But we ought to begin , perhaps , by putting the general question . It is , Have moral values anything to do with art as such ...
Pagina 288
... morality of the values of what we have called ' primary ' subject - matter . That is , with the values as viewed or seen by the artist in his non - aesthetic moments . The moral quality of what , at such moments , he sees , the moral ...
... morality of the values of what we have called ' primary ' subject - matter . That is , with the values as viewed or seen by the artist in his non - aesthetic moments . The moral quality of what , at such moments , he sees , the moral ...
Pagina 304
... moral values as being expressed for their own sakes , and not for the sake of revealing some positive value . The answer seems to be similar to the last , namely , that art which merely expresses negative moral values is simply not very ...
... moral values as being expressed for their own sakes , and not for the sake of revealing some positive value . The answer seems to be similar to the last , namely , that art which merely expresses negative moral values is simply not very ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words