A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 215
Louis Arnaud Reid. VI . PERFECTION , AND DEGREES OF EXPRESSION The perfection of expressiveness of a sense datum is a simple kind of perfection , because the complexity of the aesthetic object is slight , and it is not difficult to ...
Louis Arnaud Reid. VI . PERFECTION , AND DEGREES OF EXPRESSION The perfection of expressiveness of a sense datum is a simple kind of perfection , because the complexity of the aesthetic object is slight , and it is not difficult to ...
Pagina 216
... perfection than the possible perfection of a whole poem . In fact a sentence may be more perfectly expressive than the whole poem , if our account of perfection has been right . Of course , if the single sentence is imaginatively ...
... perfection than the possible perfection of a whole poem . In fact a sentence may be more perfectly expressive than the whole poem , if our account of perfection has been right . Of course , if the single sentence is imaginatively ...
Pagina 244
Louis Arnaud Reid. We have now discussed , inter alia , the ideas of perfection and imperfection of expression ( beauty and ugliness ) and of greatness . Perfection of expressiveness , or beauty , is an end which art should always ...
Louis Arnaud Reid. We have now discussed , inter alia , the ideas of perfection and imperfection of expression ( beauty and ugliness ) and of greatness . Perfection of expressiveness , or beauty , is an end which art should always ...
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words