A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 256
... perspective of fact , or fact - in - perspective . I am here using the term ' perspective ' in a very wide sense , to include not only the perspective of perception , but any fact as apprehended by any ( finite ) mind . And it is of ...
... perspective of fact , or fact - in - perspective . I am here using the term ' perspective ' in a very wide sense , to include not only the perspective of perception , but any fact as apprehended by any ( finite ) mind . And it is of ...
Pagina 263
... perspective , we should of course be very much mistaken if we conceived all knowledge on the model of a single perspective in perception , as if we were , so to speak , tied to one point in space with our eyes fixed in one direction ...
... perspective , we should of course be very much mistaken if we conceived all knowledge on the model of a single perspective in perception , as if we were , so to speak , tied to one point in space with our eyes fixed in one direction ...
Pagina 275
Louis Arnaud Reid. perspective of reality revealed has more of essence , and less of accident in it , than the perspectives of everyday experience . And , of course , for us it is the value - aspects of this or that perspective of ...
Louis Arnaud Reid. perspective of reality revealed has more of essence , and less of accident in it , than the perspectives of everyday experience . And , of course , for us it is the value - aspects of this or that perspective of ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words