A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 200
... poetic inspiration . Poetic inspiration means the inspiration of poetry , and implies the formation of images and words and phrases which are the beginning of the poem . If Mr. Aber- crombie supposes that poetry is the ' translation ...
... poetic inspiration . Poetic inspiration means the inspiration of poetry , and implies the formation of images and words and phrases which are the beginning of the poem . If Mr. Aber- crombie supposes that poetry is the ' translation ...
Pagina 268
... poetry , which contains propositions , and it is easy to suppose quite wrongly that in assentingly enjoying poetry we are assenting to the truth of the propositions in poetry . But we are wrong , because , though poetry can con- tain ...
... poetry , which contains propositions , and it is easy to suppose quite wrongly that in assentingly enjoying poetry we are assenting to the truth of the propositions in poetry . But we are wrong , because , though poetry can con- tain ...
Pagina 332
... poetry and sung music , each with independent beauty , combine harmoniously with one another ? If the question is put in this way the only possible answer is that they cannot , for each is complete . Sung poetry can never be the same as ...
... poetry and sung music , each with independent beauty , combine harmoniously with one another ? If the question is put in this way the only possible answer is that they cannot , for each is complete . Sung poetry can never be the same as ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words