A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 62
... possess ? This general question will include problems of the expressiveness of sense data and of forms , and of the ... possess , for aesthetic imagination , qualities which To use the symbol TO would involve confusion with the ' T ' of ...
... possess ? This general question will include problems of the expressiveness of sense data and of forms , and of the ... possess , for aesthetic imagination , qualities which To use the symbol TO would involve confusion with the ' T ' of ...
Pagina 77
... possess these and other values is , then , an indubitable fact of experience . How does this come about ? We know that in themselves the colours and sounds literally possess none of these qualities . How do they come to appear to possess ...
... possess these and other values is , then , an indubitable fact of experience . How does this come about ? We know that in themselves the colours and sounds literally possess none of these qualities . How do they come to appear to possess ...
Pagina 188
... possession of unity is not an aesthetic criterion , for many things possess unity - of - variety which are not , in any sense we have described , aesthetic objects . Thus a human character or a philosophical system or a machine1 may ...
... possession of unity is not an aesthetic criterion , for many things possess unity - of - variety which are not , in any sense we have described , aesthetic objects . Thus a human character or a philosophical system or a machine1 may ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words