A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 230
... subject - matter ' viewed by different minds and bodies , in different perspectives , and with different interests ... primary subject - matter . The landscape , as seen ordinarily and without aesthetic interest by the painter , is the ...
... subject - matter ' viewed by different minds and bodies , in different perspectives , and with different interests ... primary subject - matter . The landscape , as seen ordinarily and without aesthetic interest by the painter , is the ...
Pagina 231
... primary subject - matter , properly speaking.1 But it is extremely likely that often there is such primary subject - matter . And the fact that many things and events which do seem to have no aesthetic significance at the time are possible ...
... primary subject - matter , properly speaking.1 But it is extremely likely that often there is such primary subject - matter . And the fact that many things and events which do seem to have no aesthetic significance at the time are possible ...
Pagina 232
... primary subject- matter is often quite impossible to determine . And there is no need to suppose that primary subject - matter existed at all . It may have , and it may not . Often all that we are given is the unique and complete ...
... primary subject- matter is often quite impossible to determine . And there is no need to suppose that primary subject - matter existed at all . It may have , and it may not . Often all that we are given is the unique and complete ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words