A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 171
... production , and ( b ) the technical process or processes more remotely connected with the finished production . Examples of the former would be the actual process of laying on the paint , or of touching the notes of the keyboard , or ...
... production , and ( b ) the technical process or processes more remotely connected with the finished production . Examples of the former would be the actual process of laying on the paint , or of touching the notes of the keyboard , or ...
Pagina 176
... production . Our view has been , roughly , that in artistic production the artist desires to produce a complex self - contained unity which will ' embody ' values , and in the perception of which a great complexity of awakened needs ...
... production . Our view has been , roughly , that in artistic production the artist desires to produce a complex self - contained unity which will ' embody ' values , and in the perception of which a great complexity of awakened needs ...
Pagina 187
... produce quite the same things as he does . His production is not only creditable to him as a workman : it is beautiful ; and his association with it enhances his personality . He may feel that he is worthy of honour , and perhaps that ...
... produce quite the same things as he does . His production is not only creditable to him as a workman : it is beautiful ; and his association with it enhances his personality . He may feel that he is worthy of honour , and perhaps that ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words