A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 261
... proposition asserts them to be , then the proposition is true . If the terms and relations which , asserted , form the complex propositum , are not related in real fact , as the proposition asserts them to be , then the proposition is ...
... proposition asserts them to be , then the proposition is true . If the terms and relations which , asserted , form the complex propositum , are not related in real fact , as the proposition asserts them to be , then the proposition is ...
Pagina 264
... proposition is the expression of the living interpretative apprehension by mind of reality . Can we say that the ... proposition , the fact that mind , in apprehending , interprets , and is always tending to break into propositions ...
... proposition is the expression of the living interpretative apprehension by mind of reality . Can we say that the ... proposition , the fact that mind , in apprehending , interprets , and is always tending to break into propositions ...
Pagina 265
... PROPOSITIONS AND WORKS OF ART We may now consider the question of the truth of art . Can ' truth ' be applied to art ? Compare the proposition with the work of art . The proposition , like the work of art , has a ' body ' and a meaning ...
... PROPOSITIONS AND WORKS OF ART We may now consider the question of the truth of art . Can ' truth ' be applied to art ? Compare the proposition with the work of art . The proposition , like the work of art , has a ' body ' and a meaning ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words