A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 100
... psychological sense ( which I will call for short ' psychological fusion ' ) is thus quite distinct from aesthetic fusion or aesthetic relevance . The two may , or may not , go together . Thus an aesthetically relevant or aesthetically ...
... psychological sense ( which I will call for short ' psychological fusion ' ) is thus quite distinct from aesthetic fusion or aesthetic relevance . The two may , or may not , go together . Thus an aesthetically relevant or aesthetically ...
Pagina 318
... psychological ' fusion and ' aesthetic ' fusion , or aesthetic relevance . Clearly what is meant in this context is chiefly aesthetic fusion . Psychological fusion in various degrees may or may not occur ; we may , that is to say , be ...
... psychological ' fusion and ' aesthetic ' fusion , or aesthetic relevance . Clearly what is meant in this context is chiefly aesthetic fusion . Psychological fusion in various degrees may or may not occur ; we may , that is to say , be ...
Pagina 322
... psychological , or it may be that it is plastic ( in my own case it was the latter ) . But in a full appreciation I ... psychological interest and plastic interest . There is just the plastic - psychological expressiveness of the forms ...
... psychological , or it may be that it is plastic ( in my own case it was the latter ) . But in a full appreciation I ... psychological interest and plastic interest . There is just the plastic - psychological expressiveness of the forms ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words