A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 59
... sensa , those in terms of which we perceive the world external to the body as well as those in terms of which we are aware of our own bodies . They say that only forms , and not sensa , such as colours and sounds , can be apprehended ...
... sensa , those in terms of which we perceive the world external to the body as well as those in terms of which we are aware of our own bodies . They say that only forms , and not sensa , such as colours and sounds , can be apprehended ...
Pagina 70
... sensa as parts of larger wholes , but with sensa regarded as far as possible in them- selves : we have merely been trying to remove an a priori objection to their being considered as aesthetic objects at all . III . THE Relative ...
... sensa as parts of larger wholes , but with sensa regarded as far as possible in them- selves : we have merely been trying to remove an a priori objection to their being considered as aesthetic objects at all . III . THE Relative ...
Pagina 71
... sensa are the only ones which can yield aesthetic experience . It is rather that visual and auditory sensa are much more easily contem- plated , and that the forms and patterns they assume are far richer , more complex , more subtle ...
... sensa are the only ones which can yield aesthetic experience . It is rather that visual and auditory sensa are much more easily contem- plated , and that the forms and patterns they assume are far richer , more complex , more subtle ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words