A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 82
... sensuous expressiveness , to treat of the expressiveness of forms together with the expressiveness of the sensa which are bound up with the forms . Logically , perhaps , we ought to follow our previous procedure and to consider first ...
... sensuous expressiveness , to treat of the expressiveness of forms together with the expressiveness of the sensa which are bound up with the forms . Logically , perhaps , we ought to follow our previous procedure and to consider first ...
Pagina 394
... SENSUOUS APPROACH , AND THE IMPORTANCE OF SENSA If intelligence , and in particular intelligence assimilated into aesthetic experience , is one instrument of revelation or apparent revelation of ' natural beauty ' , so , in their own ...
... SENSUOUS APPROACH , AND THE IMPORTANCE OF SENSA If intelligence , and in particular intelligence assimilated into aesthetic experience , is one instrument of revelation or apparent revelation of ' natural beauty ' , so , in their own ...
Pagina 395
... sensuous . Think , for example , of lying upon the heather , after bathing , on some hot summer's noonday . The ... sensuous vividness as a whole is in striking contrast to the limitations of sensuous experience when , say , we look at ...
... sensuous . Think , for example , of lying upon the heather , after bathing , on some hot summer's noonday . The ... sensuous vividness as a whole is in striking contrast to the limitations of sensuous experience when , say , we look at ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words