A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 156
... simple perceptual data , and we have often found ourselves definitely hampered through not being able to speak more fully of aesthetic objects in their more developed and complex forms - in a word , of works of art . From now onwards we ...
... simple perceptual data , and we have often found ourselves definitely hampered through not being able to speak more fully of aesthetic objects in their more developed and complex forms - in a word , of works of art . From now onwards we ...
Pagina 213
... simple objects are sense data , e.g. simple sounds and colours . Take colours . The meanings which a simple1 uniform surface of colour may appear , aesthetically , to possess to different minds , and even to the same mind at different ...
... simple objects are sense data , e.g. simple sounds and colours . Take colours . The meanings which a simple1 uniform surface of colour may appear , aesthetically , to possess to different minds , and even to the same mind at different ...
Pagina 215
... simple : in the case of works of art it is anything but simple . A simple colour , regarded as colour , has no parts : a picture has . The picture is a complex with a body in space , the poem or the symphony are complexes with bodies in ...
... simple : in the case of works of art it is anything but simple . A simple colour , regarded as colour , has no parts : a picture has . The picture is a complex with a body in space , the poem or the symphony are complexes with bodies in ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words