A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 106
... speaking of Homer , he says : " That the noble associations of any object should embellish that object is very comprehensible . Homer furnishes us with a good illustration of the constant employment of this effect . . . . There is no ...
... speaking of Homer , he says : " That the noble associations of any object should embellish that object is very comprehensible . Homer furnishes us with a good illustration of the constant employment of this effect . . . . There is no ...
Pagina 215
... speaking , where any part of the total complex fails to fulfil what , aesthetically , it ought to fulfil , there is ( following the definition we have assumed ) to that extent ugliness or lack of beauty . Because of the great complexity ...
... speaking , where any part of the total complex fails to fulfil what , aesthetically , it ought to fulfil , there is ( following the definition we have assumed ) to that extent ugliness or lack of beauty . Because of the great complexity ...
Pagina 335
... SPEAKING OF ' KINDS ' OF BEAUTY II . NOTE ON THE SUBLIME III . IV . TRAGEDY - SOME ' AD HOC ' PSYCHOLOGICAL THEORIES ... SPEAKING OF ' CHAPTER XIII SOME 'KINDS' OF BEAUTY Justification, and Explanation, of speaking of 'Kinds'
... SPEAKING OF ' KINDS ' OF BEAUTY II . NOTE ON THE SUBLIME III . IV . TRAGEDY - SOME ' AD HOC ' PSYCHOLOGICAL THEORIES ... SPEAKING OF ' CHAPTER XIII SOME 'KINDS' OF BEAUTY Justification, and Explanation, of speaking of 'Kinds'
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words