A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 188
... unity is a category which applies to anything whatever . The possession of unity is therefore no criterion of the aesthetic . A flash of light , a fragment of stone or of sound , is , in the most general sense , as much a unity , as ...
... unity is a category which applies to anything whatever . The possession of unity is therefore no criterion of the aesthetic . A flash of light , a fragment of stone or of sound , is , in the most general sense , as much a unity , as ...
Pagina 189
... Unity is a value , desirable both as a means , and intrinsically , as an end in itself . In the first place , it is ... Unity is one of the most important of intrinsic values we know , and the aesthetic object gets much of its importance ...
... Unity is a value , desirable both as a means , and intrinsically , as an end in itself . In the first place , it is ... Unity is one of the most important of intrinsic values we know , and the aesthetic object gets much of its importance ...
Pagina 192
... unity to the various items of interest in the picture . An example of almost total lack of any unity is the picture , by Pieter Brueghel the elder , of Christ carrying the Cross . Here there are dozens of incidents tending to disperse ...
... unity to the various items of interest in the picture . An example of almost total lack of any unity is the picture , by Pieter Brueghel the elder , of Christ carrying the Cross . Here there are dozens of incidents tending to disperse ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words