A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 71
... visual and auditory forms are apprehended , and that visual and auditory forms are of almost supreme importance in art , it does not follow that visual and auditory sensa are the only ones which can yield aesthetic experience . It is ...
... visual and auditory forms are apprehended , and that visual and auditory forms are of almost supreme importance in art , it does not follow that visual and auditory sensa are the only ones which can yield aesthetic experience . It is ...
Pagina 313
... visual , and this is what we are at the moment concerned with . ) In this class also might be placed poetry read aloud to oneself ( as opposed to poetry spoken before us by another , where the visual apprehension of attitude and gesture ...
... visual , and this is what we are at the moment concerned with . ) In this class also might be placed poetry read aloud to oneself ( as opposed to poetry spoken before us by another , where the visual apprehension of attitude and gesture ...
Pagina 326
... visual elements in painting . The second group is the group of the so - called ' compound arts ' , which includes song , ballet , opera . VI . OTHER ' COMPETITIONS ' . ' DECORATIVE ' AND ' PLASTIC ' USE OF COLOUR I The first question ...
... visual elements in painting . The second group is the group of the so - called ' compound arts ' , which includes song , ballet , opera . VI . OTHER ' COMPETITIONS ' . ' DECORATIVE ' AND ' PLASTIC ' USE OF COLOUR I The first question ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words