The Cambridge Introduction to ShakespeareThis lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays. |
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LibraryThing Review
Recensione dell'utente - baswood - LibraryThingThis seems to me to be an introduction for the student approaching a deeper study of Shakespeare but the writing of Emma Smith is so lively and interesting that it could certainly be enjoyed by the ... Leggi recensione completa
LibraryThing Review
Recensione dell'utente - antao - LibraryThingCease to persuade, my loving Proteus! The thing about drama is that everybody has to put effort in to learn their part, then they have to work together to make the play happen. Putting on a successful ... Leggi recensione completa
Sommario
Sezione 21 | 71 |
Sezione 22 | 72 |
Sezione 23 | 77 |
Sezione 24 | 81 |
Sezione 25 | 84 |
Sezione 26 | 87 |
Sezione 27 | 90 |
Sezione 28 | 93 |
Sezione 9 | 32 |
Sezione 10 | 33 |
Sezione 11 | 41 |
Sezione 12 | 42 |
Sezione 13 | 46 |
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Sezione 16 | 49 |
Sezione 17 | 50 |
Sezione 18 | 57 |
Sezione 19 | 60 |
Sezione 20 | 65 |
Sezione 29 | 101 |
Sezione 30 | 103 |
Sezione 31 | 113 |
Sezione 32 | 116 |
Sezione 33 | 120 |
Sezione 34 | 127 |
Sezione 35 | 134 |
Sezione 36 | 138 |
Sezione 37 | 142 |
Sezione 38 | 144 |
Sezione 39 | 148 |
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Parole e frasi comuni
actors All’s Antony apparently audience Bullingbrook Cambridge chapter characterisation Claudio Cleopatra comedy comic contemporary context critical daughter death difficult discussed dramatic Duke Duke’s early modern early texts edition editors Elizabethan English example Falstaff father figure film final find first Folio genre give Hamlet Henry Henry’s Hermione history plays husband Iago interpretation Isabella Katherina kill King Lear king’s Lady language Lear’s Leontes linguistic literary look Macbeth marriage meaning Measure for Measure Merchant of Venice Midsummer Night’s Dream narrative North’s ofthe Othello Perdita performance perhaps Petruchio play’s plot political Prince production prose quarto reading recognise Richard Richard II role Romeo and Juliet Royal Shakespeare Company scene seems sexual Shakespeare Shakespeare’s plays Shrew Shylock significant soliloquy specific stage directions structure suggest Tempest theatre There’s thou throne Titus Andronicus tothe tragedy tragic Twelfth Night University Press Verona verse Viola what’s Winter’s Tale witches words