Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 17
... critic of a paint- ing depicting the Crucifixion , if he is a critic of painting and not of history or theology , certainly does not concern himself with criticism of the Crucifixion as a historical event ; but he is not thereby limited ...
... critic of a paint- ing depicting the Crucifixion , if he is a critic of painting and not of history or theology , certainly does not concern himself with criticism of the Crucifixion as a historical event ; but he is not thereby limited ...
Pagina 79
... criticism looks , " Gurney remarks , “ . . . we see how impossible it would be for a musician deliberately to work ... Critics always wish to know what the composer himself cannot tell them ; and critics sometimes hardly understand the ...
... criticism looks , " Gurney remarks , “ . . . we see how impossible it would be for a musician deliberately to work ... Critics always wish to know what the composer himself cannot tell them ; and critics sometimes hardly understand the ...
Pagina 243
... Criticism . Boston and New York , Houghton Mifflin Company , 1928 . Foerster , Norman , Wellek , Rene , McGalliard , John C. , Warren , Austin , and Schramm , Wilbur L. Literary Scholarship . Chapel Hill , The University of North ...
... Criticism . Boston and New York , Houghton Mifflin Company , 1928 . Foerster , Norman , Wellek , Rene , McGalliard , John C. , Warren , Austin , and Schramm , Wilbur L. Literary Scholarship . Chapel Hill , The University of North ...
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actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words