Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 25
... distinction remains to be made , and this can best be brought out by means of a concrete example . What is the material of music ? Is it notes , or is it human experiences and feelings ? Both of these answers seem to be true , and yet ...
... distinction remains to be made , and this can best be brought out by means of a concrete example . What is the material of music ? Is it notes , or is it human experiences and feelings ? Both of these answers seem to be true , and yet ...
Pagina 201
John Hospers. Professor James draws a distinction made famous by Coleridge , between the imagination and the fancy ( a distinction of special interest for our purposes ) ; although unlike Coleridge , James does not consider them to be ...
John Hospers. Professor James draws a distinction made famous by Coleridge , between the imagination and the fancy ( a distinction of special interest for our purposes ) ; although unlike Coleridge , James does not consider them to be ...
Pagina 233
... distinction between " knowledge by acquaintance " and " knowledge by de- scription " ; 25 but Moritz Schlick has made approximately ( not exactly ) the same distinction in a manner which seems to me much more satisfactory by contrasting ...
... distinction between " knowledge by acquaintance " and " knowledge by de- scription " ; 25 but Moritz Schlick has made approximately ( not exactly ) the same distinction in a manner which seems to me much more satisfactory by contrasting ...
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actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words