Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 41
... scheme may well be questioned . It seems clear that just as painting can directly imitate or reproduce ( when it does so at all ) the sights of life - only what can be sensed through the visual sense - modality can be directly ...
... scheme may well be questioned . It seems clear that just as painting can directly imitate or reproduce ( when it does so at all ) the sights of life - only what can be sensed through the visual sense - modality can be directly ...
Pagina 71
... scheme three distinct kinds of beauty : material or sensuous beauty , formal beauty , and expressive ( associative ) beauty . " 16 And then he quotes Santayana's passage , " We might commonly say that the circle has one expression and ...
... scheme three distinct kinds of beauty : material or sensuous beauty , formal beauty , and expressive ( associative ) beauty . " 16 And then he quotes Santayana's passage , " We might commonly say that the circle has one expression and ...
Pagina 198
... scheme . Also , in so far as this is so , it shares with the artistic imagination a destructive aspect ; it destroys in the interests of further construction . The history of science is a sequence of construction and destruction , of ...
... scheme . Also , in so far as this is so , it shares with the artistic imagination a destructive aspect ; it destroys in the interests of further construction . The history of science is a sequence of construction and destruction , of ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words