Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 100
... significant form ( the esthetic emotion being limited to what is evoked by the presence of significant form ) , we are no further than we were before . And indeed Bell conveys the impression that the thing he is referring to can only be ...
... significant form ( the esthetic emotion being limited to what is evoked by the presence of significant form ) , we are no further than we were before . And indeed Bell conveys the impression that the thing he is referring to can only be ...
Pagina 116
... significant form " or " expressive form ” was inaugurated in the Occident largely through Cézanne and other post - impressionists , and has been predominant in Western art since , although it appears in El Greco and indeed to some ...
... significant form " or " expressive form ” was inaugurated in the Occident largely through Cézanne and other post - impressionists , and has been predominant in Western art since , although it appears in El Greco and indeed to some ...
Pagina 117
... significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen , however , even Bell's " sig- nificant form " is significant ...
... significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen , however , even Bell's " sig- nificant form " is significant ...
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Parole e frasi comuni
actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words