Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 57
... vibration - frequencies is from greater to smaller , and ( 4 ) the difference between the frequencies of the last two notes is smaller . In any one phrase more than one variable , of course , is at work . The more difficult problem is ...
... vibration - frequencies is from greater to smaller , and ( 4 ) the difference between the frequencies of the last two notes is smaller . In any one phrase more than one variable , of course , is at work . The more difficult problem is ...
Pagina 192
... vibration , etc. * 45 We now see how far Aristotle's principle of ideal - imitation ( mimesis ) which we took as a starting - point , can be extended . First we applied it to human characters only , then to situations and sequences of ...
... vibration , etc. * 45 We now see how far Aristotle's principle of ideal - imitation ( mimesis ) which we took as a starting - point , can be extended . First we applied it to human characters only , then to situations and sequences of ...
Pagina 196
John Hospers. thetic vibration " with emotions not our own and into which we yet can enter , emotions of a kind experienceable by us but of which , until hearing this music , we had as yet but little conception . Per- haps music can be ...
John Hospers. thetic vibration " with emotions not our own and into which we yet can enter , emotions of a kind experienceable by us but of which , until hearing this music , we had as yet but little conception . Per- haps music can be ...
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actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words