Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 108
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
Pagina 176
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
Pagina 210
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words