Elements of art, a poem |
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Parole e frasi comuni
admiration ambition amongst ancient ancient Greece appears ardour Artist attainment Author beauties behold character Cicero claim colouring common connoisseur considered Correggio criticism defects dignity display divine ductions eazel effect endeavour Euphranor example excellence excited exhibition expression faculties fame fancy favour feeling fire Genius glory grace graphic Greeks honour hope human imitation impression influence judgment judicious labours Laocoon lence liberal Line Louvre mannerist means ment merits Michael Angelo mind modern Muse Nature neglect o'er object observation painter painting palette panegyric passion patriot pencil perfection perhaps Phidias picture Pliny poet poetry powers praise precept prejudice pride principles productions propriety pursuit qualities racter Raphael refinement Rembrandt respect Reynolds rise rival Roman School Rubens scene School sculpture sense sensibility shew skill spirit splendour sublime superior talents Taste terrestrial animals Timanthes tion Titian toil triumph truth vanity vigour Virtù virtue vulgar zeal
Brani popolari
Pagina 38 - As Fancy opens the quick springs of Sense, We ply the Memory, we load the brain, Bind rebel Wit, and double chain on chain, Confine the thought, to exercise the breath; And keep them in the pale of Words till death...
Pagina 12 - Nothing is denied to well-directed labour: nothing is to be obtained without it. Not to enter into metaphysical discussions on the nature or essence of genius, I will venture to assert that assiduity unabated by difficulty, and a disposition eagerly directed to the object of its pursuit, will produce effects similar to those which some call the result of natural powers.
Pagina 78 - Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend. From vulgar bounds with brave disorder part. And snatch a grace beyond the reach of art, Which, without passing through the judgment, gains The heart, and all its end at once attains.
Pagina 202 - To conclude, I will venture to repeat in favour of Rubens, what I have before said in regard to the Dutch school — that those who cannot see the extraordinary merit of this great painter, either have a narrow conception of the variety of art, or are led away by the affectation of approving nothing but what comes from the Italian school.
Pagina 43 - The imputation of novelty is a terrible charge amongst those who judge of men's heads, as they do of their perukes, by the fashion, and can allow none to be right but the received doctrines.
Pagina 15 - It is of no use to prescribe to those who have no talents ; and those who have talents will find methods for themselves — methods dictated to them by their own particular dispositions, and by the experience of their own particular necessities.
Pagina 156 - But each man's secret standard in his mind, That casting-weight pride adds to emptiness, This who can gratify ? for who can guess...
Pagina 194 - Such faults may be said to be the ebullitions of genius; but at least he had this merit, that he never was insipid, and whatever passion his works may excite, they will always escape contempt. What I have had under consideration is the...
Pagina 12 - Guido, and the Caraccis. It is true, there is nothing very captivating in Carlo Maratti ; but this proceeded from a want which cannot be completely supplied; that is, want of strength of parts. In this certainly men are not equal; and a man can bring home wares only in proportion to the capital with which he goes to market. Carlo, by diligence, made the most of what he had...
Pagina 387 - ... tecta figuris : tum paries nullo crimine pictus erat. sed non immerito velavit aranea fanum et mala desertos occupat herba deos.