AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 6
Æsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is æsthetic content , it is not more than thus directly felt .
Æsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is æsthetic content , it is not more than thus directly felt .
Pagina 9
Mr . Dewey , in fact , calls this æsthetic surface the quality of the process . He tells
us that what differentiates the æsthetic is what marks off an experience from
experience in general . As in the continuity of indifferent Aux emotional tone is ...
Mr . Dewey , in fact , calls this æsthetic surface the quality of the process . He tells
us that what differentiates the æsthetic is what marks off an experience from
experience in general . As in the continuity of indifferent Aux emotional tone is ...
Pagina 20
at all , or it is the æsthetic contemplation of something else , bodily states instead
of the presented object , or remembered or imagined content not unambiguously
determinate in the object . What is given to full , unwandering , vital response ...
at all , or it is the æsthetic contemplation of something else , bodily states instead
of the presented object , or remembered or imagined content not unambiguously
determinate in the object . What is given to full , unwandering , vital response ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole