AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 69
... Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi- nant , the Subdominant and the Mediant are related to ...
... Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi- nant , the Subdominant and the Mediant are related to ...
Pagina 69
... Dominant to the Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those ...
... Dominant to the Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those ...
Pagina 69
... Dominant , its Subdominant , and its Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the pitches of these notes are ... Dominant , and Dominant of NATURAL BASIC STRUCTURES 69.
... Dominant , its Subdominant , and its Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the pitches of these notes are ... Dominant , and Dominant of NATURAL BASIC STRUCTURES 69.
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words