AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 123
... English poetry . ) 1 6 6 I 2 3 4 5 cake 2345 6 it too by ' P ' " hat's 2 3 4 5 So eat your cake and have it too say I 123 45 6 I 2 3 456 1 2 3 - really beating | fate and living | high 5 and the couplet does not differ in temporal ...
... English poetry . ) 1 6 6 I 2 3 4 5 cake 2345 6 it too by ' P ' " hat's 2 3 4 5 So eat your cake and have it too say I 123 45 6 I 2 3 456 1 2 3 - really beating | fate and living | high 5 and the couplet does not differ in temporal ...
Pagina 129
... English poetry which are called , on a basis totally foreign in its origin and its terms , iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term ...
... English poetry which are called , on a basis totally foreign in its origin and its terms , iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term ...
Pagina 130
... English , would be to cite most of English poetry . But perhaps the conven- tional description of ballad metre as contrasted with its actual temporal pattern is striking enough to be worth citing before we leave the subject . Bid me to ...
... English , would be to cite most of English poetry . But perhaps the conven- tional description of ballad metre as contrasted with its actual temporal pattern is striking enough to be worth citing before we leave the subject . Bid me to ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words