AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 69
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
Pagina 69
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
... Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in which the ... Mediant are related to the Tonic . If the Tonic is C ( do ) , the Dominant is G ( sol ) , the Subdominant is F ( fa ) ...
Pagina 72
... Mediant ( M ) in the octave with which we are dealing . Thus we have T = 1 , M = , SD = 1⁄2 , D = 2 . The vibration rates are in these ratios , and the pitches correspondingly related to the Dominant and to the Subdominant will be seen ...
... Mediant ( M ) in the octave with which we are dealing . Thus we have T = 1 , M = , SD = 1⁄2 , D = 2 . The vibration rates are in these ratios , and the pitches correspondingly related to the Dominant and to the Subdominant will be seen ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words