AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina x
... Prall's example should have had so little effect , and that people should be still clamoring for a return to a direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our ...
... Prall's example should have had so little effect , and that people should be still clamoring for a return to a direct and realistic approach . Perhaps one of the reasons for this is the tendency to read Prall in conformance with our ...
Pagina xi
David Wight Prall. it afford the audience an outlet for relaxation or escape ( when LSD or a warm bath are not available ) ? Prall was well aware of the impossibility of one person setting himself up as authority on several arts ...
David Wight Prall. it afford the audience an outlet for relaxation or escape ( when LSD or a warm bath are not available ) ? Prall was well aware of the impossibility of one person setting himself up as authority on several arts ...
Pagina
David Wight Prall. Advance acclaim for D. W. Prall's books : " I learn with real joy of the publication of David Prall's two key books . They were my bible at col- lege , and I find , years later , that their lustre , insight , and sense ...
David Wight Prall. Advance acclaim for D. W. Prall's books : " I learn with real joy of the publication of David Prall's two key books . They were my bible at col- lege , and I find , years later , that their lustre , insight , and sense ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words