AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 69
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
Pagina 69
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
Pagina 70
David Wight Prall. but as Subdominant of the Dominant , and Dominant of the Subdominant . And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the ...
David Wight Prall. but as Subdominant of the Dominant , and Dominant of the Subdominant . And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words