AEsthetic analysis |
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Pagina 68
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant. In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other.
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant. In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other.
Pagina 69
note that we choose and call our Tonic, we have now found the notes related to it
as its Dominant, its Subdominant, and its Mediant, and defining the intervals
named fifth, fourth, and third. We have also made out the sense in which the
pitches ...
note that we choose and call our Tonic, we have now found the notes related to it
as its Dominant, its Subdominant, and its Mediant, and defining the intervals
named fifth, fourth, and third. We have also made out the sense in which the
pitches ...
Pagina 71
Thus x vibrations per second gives the pitch of the Tonic. The halves of the string
will vibrate at the rate 2x. This rate produces a sound at the pitch called the
octave. The rates corresponding to pitches between the fundamental and its
octave ...
Thus x vibrations per second gives the pitch of the Tonic. The halves of the string
will vibrate at the rate 2x. This rate produces a sound at the pitch called the
octave. The rates corresponding to pitches between the fundamental and its
octave ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic surface aesthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge length Leverett House loudness means Mediant merely musical scale nature notes obvious octave painting particular Pathetique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | AEsthetic analysis Apollo editions |
| Autore | David Wight Prall |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 21 lug 2010 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |