AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 68
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
Pagina 69
note that we choose and call our Tonic , we have now found the notes related to it
as its Dominant , its Subdominant , and its Mediant , and defining the intervals
named fifth , fourth , and third . We have also made out the sense in which the ...
note that we choose and call our Tonic , we have now found the notes related to it
as its Dominant , its Subdominant , and its Mediant , and defining the intervals
named fifth , fourth , and third . We have also made out the sense in which the ...
Pagina 69
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole