AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 68
... Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the ...
... Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the ...
Pagina 69
... Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the ...
... Tonic is exactly the pitch relation of the Tonic to the Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the ...
Pagina 71
... Tonic and the octave above it by dividing by 2. This is the vibration rate 2 , the pitch corresponding to which is thus the nearest related pitch to the Tonic itself . It is the Dominant , as above , and we may indicate it from now on ...
... Tonic and the octave above it by dividing by 2. This is the vibration rate 2 , the pitch corresponding to which is thus the nearest related pitch to the Tonic itself . It is the Dominant , as above , and we may indicate it from now on ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words