AEsthetic Analysis |
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Risultati 1-3 di 55
Pagina 35
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
Pagina 79
Third , that this natural pattern is abstract , and hence that whole movements in
the developments of the arts consist in the exploitation of such naturally selected
but abstract patterns . As the western scale is only one among many standard ...
Third , that this natural pattern is abstract , and hence that whole movements in
the developments of the arts consist in the exploitation of such naturally selected
but abstract patterns . As the western scale is only one among many standard ...
Pagina 110
At this point the objection that we are to meet in the present chapter becomes
most plausible . Granted all that has just been said about temporal pattern ; how
far does such an abstract simplified scheme help to make clear the nature of
verse ...
At this point the objection that we are to meet in the present chapter becomes
most plausible . Granted all that has just been said about temporal pattern ; how
far does such an abstract simplified scheme help to make clear the nature of
verse ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole