AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 54
Pagina 35
... abstract and called abstractions ; though we are likely to forget how familiarly we are acquainted with exactly this sort of thing in all of our thinking . We do not find color separated from what is colored , and no one is worried by ...
... abstract and called abstractions ; though we are likely to forget how familiarly we are acquainted with exactly this sort of thing in all of our thinking . We do not find color separated from what is colored , and no one is worried by ...
Pagina 79
... abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of ... abstract , and hence that whole movements in the developments of the arts consist in the exploitation of such ...
... abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of ... abstract , and hence that whole movements in the developments of the arts consist in the exploitation of such ...
Pagina 110
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words