AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 105
... accent . Polly - gamigh is no further from being intelligible written English than the sound of polygamy is from being spoken English if we throw heavy accents on the first and last syllables , instead of on the second , where the accent ...
... accent . Polly - gamigh is no further from being intelligible written English than the sound of polygamy is from being spoken English if we throw heavy accents on the first and last syllables , instead of on the second , where the accent ...
Pagina 106
... accent is often possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish ...
... accent is often possible on the same monosyllable in the same context without offensive distortion of linguistic convention and without danger to sense . Accent , then , is the chief means of indicating temporal measure in Eng- lish ...
Pagina 116
... accent with length , so that a syllable may be called indifferently heavy , long , or ac- cented . This blurs the actual function of accent for in- dicating time divisions , and at the same time neglects those measured durations without ...
... accent with length , so that a syllable may be called indifferently heavy , long , or ac- cented . This blurs the actual function of accent for in- dicating time divisions , and at the same time neglects those measured durations without ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words