AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 15
... acquaintance with works of art , and hence with the nature of art in general . An example or two will suffice to illustrate this de- pendence of full acquaintance with an æsthetic surface or object upon the discriminating of such ...
... acquaintance with works of art , and hence with the nature of art in general . An example or two will suffice to illustrate this de- pendence of full acquaintance with an æsthetic surface or object upon the discriminating of such ...
Pagina 174
... acquaintance with content and structure as actually presented through sense . All this is of very special or of very great importance because in art , and in the æsthetic aspects of nature , such general acquaintance al- lows a fuller ...
... acquaintance with content and structure as actually presented through sense . All this is of very special or of very great importance because in art , and in the æsthetic aspects of nature , such general acquaintance al- lows a fuller ...
Pagina 197
... acquaintance with the red of a rose or the sound of the simplest nursery song . Even the study of the arts themselves is only too easily turned into the cultivation of purely practical skill in manipulation — like so much of laboratory ...
... acquaintance with the red of a rose or the sound of the simplest nursery song . Even the study of the arts themselves is only too easily turned into the cultivation of purely practical skill in manipulation — like so much of laboratory ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words