AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 37
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
Pagina 184
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
Pagina 194
... actual concrete nature of the world we live in in conscious life , the world at that degree of qualitative ... actual variety of perspectives that our own experience acquaints us with . This sort of ignorance of the actual concrete ...
... actual concrete nature of the world we live in in conscious life , the world at that degree of qualitative ... actual variety of perspectives that our own experience acquaints us with . This sort of ignorance of the actual concrete ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words