AEsthetic Analysis |
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Risultati 1-3 di 29
Pagina 39
And the most obvious fact about knowing works of art is that direct apprehension
is the final adequate knowledge that we want . So in æsthetics itself . Its final aim
is the body of knowledge that conditions direct and adequate apprehension ...
And the most obvious fact about knowing works of art is that direct apprehension
is the final adequate knowledge that we want . So in æsthetics itself . Its final aim
is the body of knowledge that conditions direct and adequate apprehension ...
Pagina 155
The work of art is æsthetically adequate to just the degree to which the
apprehension of the constituent elements in the structure they compose , and
present to a normally sensitive human organism , results in this concretely
present feeling .
The work of art is æsthetically adequate to just the degree to which the
apprehension of the constituent elements in the structure they compose , and
present to a normally sensitive human organism , results in this concretely
present feeling .
Pagina 159
significance or individuality ; but both his technical artistic powers and the
genuineness of his feeling are necessary conditions of adequate expression .
The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is
, for ...
significance or individuality ; but both his technical artistic powers and the
genuineness of his feeling are necessary conditions of adequate expression .
The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is
, for ...
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abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole