AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 11
... æsthetic data at all . And an organism isolated totally from external physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an ...
... æsthetic data at all . And an organism isolated totally from external physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an ...
Pagina 86
... æsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them ... æsthetic surface , a fully present consummation . The simple geometrical forms that men earlier in his- tory sometimes ...
... æsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them ... æsthetic surface , a fully present consummation . The simple geometrical forms that men earlier in his- tory sometimes ...
Pagina 203
... media technically employed . Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it ...
... media technically employed . Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words