AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina x
... art . When we then encounter his con- cept of " æsthetic surface , " we are reassured that such must be the case . Surface , capitalized and perhaps italicized , now joins the impressive list of transcendentals that purport to tell us what ...
... art . When we then encounter his con- cept of " æsthetic surface , " we are reassured that such must be the case . Surface , capitalized and perhaps italicized , now joins the impressive list of transcendentals that purport to tell us what ...
Pagina xviii
... art with our experience of the work of art itself . We are deluded into thinking that because we are obliged to talk about them with two different vocabularies they must indeed be separate . Here is where æsthetic surface plays a role ...
... art with our experience of the work of art itself . We are deluded into thinking that because we are obliged to talk about them with two different vocabularies they must indeed be separate . Here is where æsthetic surface plays a role ...
Pagina xix
... surface ) . I contemplate it for itself rather than take it for granted as something — almost anything — that serves my purpose to write upon . It is a stark piece of furniture , not particularly prepossessing , and I become disturbed ...
... surface ) . I contemplate it for itself rather than take it for granted as something — almost anything — that serves my purpose to write upon . It is a stark piece of furniture , not particularly prepossessing , and I become disturbed ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words