AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina xxiii
... art theory based on a given style or technique -the theory of tonality , for example - might very well profit from being explored as a language . But music is not theory , though one gets the impression more and more these days that it ...
... art theory based on a given style or technique -the theory of tonality , for example - might very well profit from being explored as a language . But music is not theory , though one gets the impression more and more these days that it ...
Pagina 22
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
Pagina 204
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words