AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 24
... analysis ; this is the way of scientific knowledge . We must , in other words , if we are to have any knowl- edge at all , use the methods of abstraction and analysis . For we need to group elements together and to distinguish relations ...
... analysis ; this is the way of scientific knowledge . We must , in other words , if we are to have any knowl- edge at all , use the methods of abstraction and analysis . For we need to group elements together and to distinguish relations ...
Pagina 32
... analysis that constitutes æsthetics , it may be best to have some approximate notion of the nature as well as the function of abstraction and analysis in general . For most of the objections to analysis in a given field amount to saying ...
... analysis that constitutes æsthetics , it may be best to have some approximate notion of the nature as well as the function of abstraction and analysis in general . For most of the objections to analysis in a given field amount to saying ...
Pagina 33
... analysis is applied to an actual physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change ...
... analysis is applied to an actual physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words