AEsthetic Analysis |
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Pagina xx
Since we leave the dictionary behind when we extract the word meaning ,
presumably we should dispense with the analysis when our apprehension is
improved . But some professional musicians not only analyze music every time
they listen ...
Since we leave the dictionary behind when we extract the word meaning ,
presumably we should dispense with the analysis when our apprehension is
improved . But some professional musicians not only analyze music every time
they listen ...
Pagina 32
CHAPTER II THE BASIS OF ÆSTHETIC ANALYSIS : ELEMENTS AND ORDERS
D EFORE turning to the sort of analysis that constitutes æsthetics , it may be best
to have some approximate notion of the nature as well as the function of ...
CHAPTER II THE BASIS OF ÆSTHETIC ANALYSIS : ELEMENTS AND ORDERS
D EFORE turning to the sort of analysis that constitutes æsthetics , it may be best
to have some approximate notion of the nature as well as the function of ...
Pagina 34
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole