AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 6
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
Pagina 146
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
Pagina 171
... appears . In any case æsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that æsthetic theory as such would take as ...
... appears . In any case æsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that æsthetic theory as such would take as ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words