AEsthetic analysis |
Dall'interno del libro
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Pagina 19
For the elements we have so far suggested are not only sensuous but
emotionally toned, and the structural relations are sensuous relations
apprehended sensuously and with feeling. Thus we run no risk of formalizing the
subject in such a ...
For the elements we have so far suggested are not only sensuous but
emotionally toned, and the structural relations are sensuous relations
apprehended sensuously and with feeling. Thus we run no risk of formalizing the
subject in such a ...
Pagina 157
Some of these formal details we must have apprehended in it, however, if we
apprehend the dilapidation at all. And unless we have apprehended all of them
quite definitely, we have not apprehended this particular dilapidation, but only
some ...
Some of these formal details we must have apprehended in it, however, if we
apprehend the dilapidation at all. And unless we have apprehended all of them
quite definitely, we have not apprehended this particular dilapidation, but only
some ...
Pagina 162
This involves familiar outlines to some extent, of course; outlines not drawn,
however, but apprehended in the contrasts of colored areas. And the water color
gives this exciting effect, an effect not merely recognized as pale green trees with
...
This involves familiar outlines to some extent, of course; outlines not drawn,
however, but apprehended in the contrasts of colored areas. And the water color
gives this exciting effect, an effect not merely recognized as pale green trees with
...
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absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic surface aesthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge length Leverett House loudness means Mediant merely musical scale nature notes obvious octave painting particular Pathetique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words