AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 136
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural- serves , that is , to constitute ...
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural- serves , that is , to constitute ...
Pagina 155
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
Pagina 157
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words