AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 28
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
Pagina 141
... artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a ... artists to use . But just what it is that an artist wants to do , just what may be properly and intelli- gibly said ...
... artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a ... artists to use . But just what it is that an artist wants to do , just what may be properly and intelli- gibly said ...
Pagina 186
... artistic structures , no one is prepared to apprehend what any work of art of the least complexity presents for ... artists , reverse one another's judgments or even their own , with the pass- age years , it is plain that when ...
... artistic structures , no one is prepared to apprehend what any work of art of the least complexity presents for ... artists , reverse one another's judgments or even their own , with the pass- age years , it is plain that when ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words