AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 30
... aspect of its being , so there occur in the æsthetic aspect of our world all those natural sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are ...
... aspect of its being , so there occur in the æsthetic aspect of our world all those natural sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are ...
Pagina 96
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
Pagina 110
... aspects of things , ex- actly as pitch can be thought of without thinking of temporal sequence , or duration , or loudness or timbre . But this temporal aspect is to be discriminated in all experi- ence , whereas in pitch we have what ...
... aspects of things , ex- actly as pitch can be thought of without thinking of temporal sequence , or duration , or loudness or timbre . But this temporal aspect is to be discriminated in all experi- ence , whereas in pitch we have what ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words