AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 7
Сс ire it a little differently , the æsthetic aspect of experience is that in which ,
instead of employing the qualitative surface as a means and taking it for granted ,
we spend our whole attentive energy upon discriminating and realizing its full ...
Сс ire it a little differently , the æsthetic aspect of experience is that in which ,
instead of employing the qualitative surface as a means and taking it for granted ,
we spend our whole attentive energy upon discriminating and realizing its full ...
Pagina 96
erse intelligibility of the temporal aspect of verse rhythm , which in turn is one
aspect of verse structure . That verse has a temporal aspect need hardly be
argued . And that this temporal aspect is intrinsically ordered is equally obvious .
erse intelligibility of the temporal aspect of verse rhythm , which in turn is one
aspect of verse structure . That verse has a temporal aspect need hardly be
argued . And that this temporal aspect is intrinsically ordered is equally obvious .
Pagina 110
Abstracting is so natural and simple and necessary a process for thought , that
thinking about the temporal aspect of changing things has led men from early
times to speak as if this abstracted character of events were a real something in
which ...
Abstracting is so natural and simple and necessary a process for thought , that
thinking about the temporal aspect of changing things has led men from early
times to speak as if this abstracted character of events were a real something in
which ...
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abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole