AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 8
David Wight Prall. his favorite music has some slight attention left for the comfort of his body and his posture , some vague sense of the direction of exits , a degree of attention most easily raised into prominence by any interference ...
David Wight Prall. his favorite music has some slight attention left for the comfort of his body and his posture , some vague sense of the direction of exits , a degree of attention most easily raised into prominence by any interference ...
Pagina 99
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
Pagina 147
... attention to a given content in two ways only , as its condition , which is previous activity making it capable of complete concrete grasp in any given case , and secondly , as the dependence of any such unification upon cutting off ...
... attention to a given content in two ways only , as its condition , which is previous activity making it capable of complete concrete grasp in any given case , and secondly , as the dependence of any such unification upon cutting off ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words